The Art of the Form: A Configurational Perspective
反驳了家族企业是艺术类企业和创意工作理想组织形式的观点，通过证据表明大量艺术创造力发生在大型多元化公司、行业和文化场域层面。
This essay offers a counterpoint to Le Breton–Miller and Miller's argument that family firms are the ideal organizational form for arts–based businesses and creative work. While the notion of the isolated, individual genius artist has certain romantic appeal, we offer evidence that demonstrates that considerable artistic creativity occurs within the context of a large diversified corporation, at the level of the industry and at the level of the cultural field.