Companion for the videography ‘Monstrous Organizing—The Dubstep Electronic Music Scene’
批判了传统视频研究的再现模式，提出一种“表达性”本体论，强调视频创作与观看的创造性和情感潜力，并附有一部30分钟的视频作为示例。
This companion essay contributes to video-based organizational research by critically assessing conventional representational modes of videographic practice and conceptualizing an ‘expressive’ ontology for videographic research. We offer an image of thought that foregrounds the creative and powerfully affective potential of both videographic work and spectatorship. To advance this perspective and to inspire future research, we present our videography (length 30 minutes) that integrates various ‘expressive’ elements in montage form. We use the film to scrutinize the potential of video-based research and several methodological considerations tied to it. In doing so, we argue that video-based organizing of research activities can be seen as ‘monstrous’, an entire emergent mode of aesthetic storytelling that comes into being not in ‘capturing’ or ‘recording’, but rather as an affective production of potentialities.