The final cutTM: Directors, producers and the gender regime of the Swedish film industry
基于对瑞典导演和制片人的访谈，分析法律、电影政策和财务安排如何塑造性别化的劳动分工，指出性别平等措施不足以解决行业内的性别不平等。
Abstract Focusing on Sweden, this article departs from the proposition that film production and the film industry are governed by institutional arrangements that produce and reproduce gender and gender relations. The article is based on interviews with directors and producers and analyses how Swedish directors and producers describe their roles and relationship, relating this to how these roles are shaped by the law, film policy, and financial arrangements. The article argues that the Swedish film industry rests on a gendered division of labor, that the professions of director and producer are constructed in relation to masculinity, and that the gender equality measures undertaken are not sufficient to come to grips with the gender inequalities in the industry.