Pursuing perfection through relationality: Studying the intersubjective dynamics of embodied agency in ballet
基于对芬兰国家芭蕾舞团专业舞者的15次民族志访谈和6次照片启发访谈，分析舞者如何在日常工作中通过关系性协商能动性，平衡无形凝视的需求与自身具身体验的空间。
This study investigates the relational dynamics of embodied agency in the empirical context of ballet. Drawing on 15 ethnographic and 6 photo-elicitation interviews with professional dancers from the Finnish National Ballet, this study analyses the ways in which ballet dancers negotiate their agency in relation to other agents in their everyday work. We show how ballet dancers have to balance between satisfying the needs of the invisible gaze through different layers of relationality, on the one hand, and aiming to create room for their intimate, embodied experiences on the other. This study contributes to the existing knowledge on agency at the workplace by illustrating how it is grounded in the body in relational ways. By furthering the phenomenological understanding of subject formation as a form of intersubjectivity, this study shows how the working self is always relationally constructed, open to ambiguity and, sometimes, ‘caught between’ achieving agency and the objectifying scrutiny of the self and others between the visible onstage and hidden backstage. Consequently, this study offers in-depth insights into and parallels for intersubjective development in organisations.