Music films and videos as recolonizing media in tourism
本文探讨音乐电影和视频如何通过文化挪用和殖民怀旧实现选择性再殖民，并分析其引发的对抗性凝视对当代旅游话语的影响。
There is growing awareness within social science that colonization is neither permanent nor complete, with the forces of colonization, decolonization, and recolonization spatially and temporally overlapping. Selective recolonization is evidenced in cultural appropriations and colonial nostalgia as described by diasporic authors such as V.S. Naipaul. However, examples of oppositional gaze are also evident in music films and videos ranging from Billie Holliday's “Strange Fruit” to Childish Gambino's “This Is America.” Artificial intelligence, streaming technologies, and destination images offer a potent synthesis that can undermine decolonization. We assert that the critical pragmatism of Habermas and Dewey can be used to identify and evaluate manifestations of selective recolonization, the oppositional gaze they engender, and how both infuse contemporary travel and tourism discourses.